Wolfcrow

Wolfcrow

Workflows for filmmakers and cinematographers

  • Home
  • Quick Menu
    • Become a Patron
    • Recommended Gear
    • Filmmaking For Beginners
    • Cinematography and Photography Concepts Simplified
    • All About Lighting
    • Learn the Techniques of Great Cinematographers
    • What Camera Should I Buy?
    • Camera and Lens Reviews, Comparisons, Tests and Guides
    • Camera Rigs and Lens Accessories
    • Post Production Workflows
    • Learn Color Grading
    • Computers, Monitors and Storage
    • Business and Marketing
  • Free Stuff
  • About Us
  • Contact

How to Grade V-Log: Masterclass by India’s Best Colorist

The full-blown Panasonic GH5 Guide is available right now! Click this to learn more.

Disclosure: Links in this post may be to our affiliates; sales through affiliate links may benefit this site. Please help support wolfcrow and buy from B&H and Amazon. It won’t cost you anything extra.

Here’s a masterclass from India’s best colorist on how to grade V-Log from the Panasonic GH5:

Free Videos and Cheat Sheets: Watch the Videos and Download my free cheatsheets on exposing V-Log for the Panasonic GH5, grading V-log, reducing noise and banding, and my favorite photo styles and camera settings.

Related Articles

  1. RAW vs LOG vs Compression Codecs vs Uncompressed HDMI and SDI: A Primer
  2. External Recording and Data Wrangling Solutions for the Panasonic GH5
  3. How to Expose and Grade S-Log2 for the Sony A7s
  4. How to Grade S-Log2 using Adobe Speedgrade: A Complete Walkthrough
  5. How to expose and grade S-Log2 on the Sony a7R II and Sony a7S II

Share this article and help others:

Facebook Twitter Google+ Pinterest

Comments

  1. Hiroki says

    September 10, 2017 at 5:26 am

    The video was very educational to watch, thank you!

    Reply
  2. Dave Nix says

    September 1, 2017 at 6:04 am

    V-Log is only worthwhile if you are working in 10 bit. You mentioned you used a Atomos Shogun to monitor, why didn’t you record with it? All the banding and compression problems go away, plus you can push the image quite a bit in post…

    If I’m stuck shooting 8-bit I use Cine-D set with Paul Leeming’s LUT One settings and LUT. But 90% of the time, I use the Shogun.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *




Copyright © 2018 Sareesh Sudhakaran. All rights reserved.

  • Privacy Policy
  • Disclaimer and Full Disclosure
  • Home
  • Quick Menu
    • Become a Patron
    • Recommended Gear
    • Filmmaking For Beginners
    • Cinematography and Photography Concepts Simplified
    • All About Lighting
    • Learn the Techniques of Great Cinematographers
    • What Camera Should I Buy?
    • Camera and Lens Reviews, Comparisons, Tests and Guides
    • Camera Rigs and Lens Accessories
    • Post Production Workflows
    • Learn Color Grading
    • Computers, Monitors and Storage
    • Business and Marketing
  • Free Stuff
  • About Us
  • Contact