How to Expose and Grade S-Log2 for the Sony A7s

The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s

The Workflows and Advantages of Working with Image Sequences in Video Post Production

A simple primer into the workflows and advantages of using image sequences in post production.

The Sony Vegas Pro to Resolve Round-tripping Workflow (Part Two): Back to Vegas Pro

A simple guide to understanding how to move projects and round-trip from Sony Vegas Pro to Blackmagic Design DaVinci Resolve.

The Adobe After Effects Export Guide (Part One): Codecs

The simplest guide to learn how and what to export from Adobe After Effects. Part One covers how to export various codecs.

The Lightworks Crash Course for Beginners (Part One): The Basics

The simplest and quickest guide to learn Lightworks Pro. Part One deals with the basics and how to set up Lightworks for best results.

Should you raise Bit Depth and Color Space before Color Grading? Part Two: RAW Video

Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space. Part Two deals with RAW video.

Should you raise Bit Depth and Color Space before Color Grading? Part One: 8-bit Video

Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space. Part One deals with 8-bit video.

How to handle Bit Depth in Adobe Premiere Pro, After Effects and Speedgrade

Is your software handling bit depth the right way? This article is the simplest explanation of how to stay on top of bit depth within Adobe Creative Cloud.