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Davinci Resolve

How to Create LUTs in DaVinci Resolve

Learn how to create LUTs in DaVinci Resolve in the simplest way.

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Nikon Z6 Guide Nikon Z6 Info

8-bit vs 10-bit on the Nikon Z6. Unexpected!

How different is the 8-bit and 10-bit video from the Nikon Z6? Is it worth getting an external recorder?

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Panasonic GH5

8-bit vs 10-bit vs Prores HQ from the Panasonic GH5: What’s the best option?

A comparison of what the best video format is on the Panasonic GH5.

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Panasonic GH5

Thoughts on comparing 8-bit and 10-bit footage from the Panasonic GH5

Why isn’t the 10-bit footage in the Panasonic GH5 better than the 8-bit footage?

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Sony A7s Guide

How to Expose and Grade S-Log2 for the Sony A7s

The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s

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Camera Reviews

The Sony A7s Review

A detailed review of the Sony A7s for video and film professionals. What kind of productions are this camera suitable for?

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WMP_ARTICLES_MISC

The Advantages of Working in 32-bit Float

First of all, let me get one thing straight – I’m not referring to a 32-bit vs 64-bit OS, CPU or software. I am referring to the ‘environment found in applications like Photoshop, After Effects or Nuke. Many high-end applications allow one to work in a 32-bit environment. Is that a good thing? Before we […]

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WMP_ARTICLES_MISC

How Much Can You Uprez, or, What is the Limit of Image Interpolation?

How much can you blow up an image or video before it becomes unacceptable? This article tests to find the magic uprez or image interpolation number.

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Basics of Color Grading

Should you raise Bit Depth and Color Space before Color Grading? Part One: 8-bit Video

Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space. Part One deals with 8-bit video.