How to Expose and Grade S-Log2 for the Sony A7s

The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s

How to Use the DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr with DaVinci Resolve to Match Color

The simplest way to use a DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr to match colors in DaVinci Resolve

What is Full Swing, Studio Swing; and How to Work with Video Levels in Adobe Premiere Pro? (Part Three)

A detailed look at how Adobe Premiere Pro handles full swing and studio swing video levels.

The Complete Guide to Choosing and Using Video Production Monitors (Part One)

Everything you wanted to know about video production monitors in one place.

Should you raise Bit Depth and Color Space before Color Grading? Part Two: RAW Video

Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space. Part Two deals with RAW video.

Should you raise Bit Depth and Color Space before Color Grading? Part One: 8-bit Video

Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space. Part One deals with 8-bit video.

How to Choose a Professional Display Monitor (Part Four): Understanding Manufacturer Specifications

How to classify professional display monitors, and how to find the perfect monitor for your workflow. Part Four further explains how manufacturers classify their displays.