How to Expose and Grade S-Log2 for the Sony A7s

The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s

How to Use the DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr with DaVinci Resolve to Match Color

The simplest way to use a DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr to match colors in DaVinci Resolve

What is Full Swing, Studio Swing; and How to Work with Video Levels in Adobe Premiere Pro? (Part Three)

A detailed look at how Adobe Premiere Pro handles full swing and studio swing video levels.

The Complete Guide to Choosing and Using Video Production Monitors (Part One)

Everything you wanted to know about video production monitors in one place.

The Sony Vegas Pro to Resolve Round-tripping Workflow (Part Two): Back to Vegas Pro

A simple guide to understanding how to move projects and round-trip from Sony Vegas Pro to Blackmagic Design DaVinci Resolve.

Comparison of RAW Processors for the Blackmagic Pocket Cinema Camera (Part Two)

Is DaVinci Resolve the best raw processor for the Blackmagic Pocket Cinema Camera? Here’s a comparison to find out.

The Adobe After Effects Export Guide (Part One): Codecs

The simplest guide to learn how and what to export from Adobe After Effects. Part One covers how to export various codecs.

Should you raise Bit Depth and Color Space before Color Grading? Part Two: RAW Video

Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space. Part Two deals with RAW video.