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WMP_ARTICLES_MISC

Understanding the Ultra HD Blu-ray Specification

A quick look at the Ultra HD Blu-ray Specification.

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Sony A7s Guide

How to Expose and Grade S-Log2 for the Sony A7s

The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s

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Davinci Resolve

How to Use the DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr with DaVinci Resolve to Match Color

The simplest way to use a DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr to match colors in DaVinci Resolve

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WMP_ARTICLES_MISC

What is Full Swing, Studio Swing; and How to Work with Video Levels in Adobe Premiere Pro? (Part Three)

A detailed look at how Adobe Premiere Pro handles full swing and studio swing video levels.

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Camera System

The Complete Guide to Choosing and Using Video Production Monitors (Part One)

Everything you wanted to know about video production monitors in one place.

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Basics of Color Grading

Should you raise Bit Depth and Color Space before Color Grading? Part Two: RAW Video

Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space. Part Two deals with RAW video.

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Basics of Color Grading

Should you raise Bit Depth and Color Space before Color Grading? Part One: 8-bit Video

Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space. Part One deals with 8-bit video.

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Basics of Color

What is ACES (Academy Color Encoding System)?

The simplest explanation of what ACES is, and why you should learn more about it now.

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WMP_ARTICLES_MISC

How to Choose a Professional Display Monitor (Part Four): Understanding Manufacturer Specifications

How to classify professional display monitors, and how to find the perfect monitor for your workflow. Part Four further explains how manufacturers classify their displays.

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Basics of Color

Say Hello to Rec. 2020, the Color Space of the Future

A simple overview of what Rec. 2020 is, why it was adopted and how it will change the future of television.