Why isn’t the 10-bit footage in the Panasonic GH5 better than the 8-bit footage?
My thoughts on the Arri Alexa 65 65mm 6.5K cinema camera. Who is it for?
What does it take to make a production set completely ready for wireless video? This article shows you how to get started.
Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space. Part One deals with 8-bit video.
A brief overview of the data rates involved in various distribution channels, from cinema to television to the Internet.
What is video compression, why do we need it, and what are the most common kinds of video compression?
Which video camera really delivers the film look? Part One asks: Does your camera meet theatrical distribution requirements or not?