The simplest explanation of the settings found on video cameras to control exposure and color information.
The simplest explanation of what studio swing and full swing is, and how they are different.
What steps can you take to ensure your 3D movie is a success? This article tells you what you need to know. Part One deals with depth.
Topics Covered: Interaxial Distance Hyper Stereo vs Macro Stereo Keystone Effect and Keystoning Stereoscopic Window In order for stereoscopic cinematography to be a creative medium it’s got to be intuitive. If it’s not in the gut, it’s not going to succeed as an art form. If you have to rely solely on tables and calculations, […]
Topics Covered: Convergence and Fusion The Singleness of Vision Taking aim for too long can ruin your eyes – Ivorian Proverb When we focus on infinity our eyes look straight on in a parallel fashion, as indicated by the red arrows. As we have already seen, optical tests on the Snellen chart are positioned at […]
Topics Covered: Stereopsis Parallax Inter-ocular Distance You can’t look into a bottle with both eyes at the same time – Togolese Proverb Stereopsis is the impression of depth we get when we use both eyes, assuming they have normal binocular vision. More than any other depth cue, this gives the greatest impression of space. Why? […]
Topics Covered: Depth and Depth Cues Monocular and Binocular Vision And so if your inclination is to champion lost causes, the case of stereo photography is readymade for you – Paul Farber So far we have treated the eye as if It were an organ capable of only two-dimensional (flat surface) vision We had only […]
Topics Covered: Color Bit Depth Middle Grey Whiteness and White Balance Colors, like features, follow the changes of the emotions – Pablo Picasso We have already seen that the color space of the eye, as defined by the CIE 1931 XYZ color space, estimates about 10 million colors for our vision. The word size required […]