A problem every director must face at some point, and probably many times. How do you deal with bad actors or non-actors?
I go in-depth into how I’ve used the 10-step system to finding the best camera angles in my experimental short film, Fight Night.
Seven of the most powerful compositional techniques Orson Welles used in his films. Enjoy!
A shot by shot comparison of my storyboard to Spielberg’s work on Bridge of Spies.
The formula and secret to creating great twist endings every single time.
13 great books by directors on the subject of film direction.