Is finding new ways to compress data benefiting filmmakers at all? This article looks at the codecs of the future and tries to answer this question.
A simple overview of the blu-ray format for filmmakers; and, what you need to know to get started.
The simplest explanation of MPEG-2, MPEG-4, H.264, AVCHD and H.265 you’ll find anywhere. What are they and how are they related?