My complete review of the Atomos Shogun for the Sony A7s, as of v6.2, shooting, 3D LUTs, DNxHD and more.
The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s
A detailed look at how Adobe Premiere Pro handles full swing and studio swing video levels.
A detailed guide to the revolutionary Blackmagic Pocket Camera – from lenses and accessories to post production. Part Six looks at the post production workflow.
Is DaVinci Resolve the best raw processor for the Blackmagic Pocket Cinema Camera? Here’s a comparison to find out.
A list of five dependable and excellent audio field mixers for video production.
A look at post production audio workflows, departments and methods, and how they contribute to form the perfect soundtrack. Part Two covers Sound Mixing.
There are eight main tools in any color correction application. This article explains the three most basic: the Saturation, Levels and Curves tools.
I did a dynamic range test for Video vs RAW in my last post, and RAW won hands down. If you haven’t read it already, read it here. In this post, I decided to test the Technicolor Cinestyle Picture Style for Canon DSLRs against Neutral and RAW, to find out which had the greatest latitude […]