Categories
Basics of Color Grading Common Access WMP

How to get the Film Look Easily without using LUTs or Plugins

The easiest way to create the film look without knowing how to grade or spending money on LUTs or plugins.

Categories
Nikon Z6 Guide Nikon Z6 Info

How to Grade N-Log for the Nikon Z6

The simplest way to grade N-log from the Nikon Z6 and Nikon Z7.

Categories
Davinci Resolve

How to Create LUTs in DaVinci Resolve

Learn how to create LUTs in DaVinci Resolve in the simplest way.

Categories
WMP_ARTICLES_MISC

Comparison of Film Emulation LUTs – Filmconvert vs Magic Bullet Film vs Juan Malera’s Free LUTs

How do you make sense of all the hundreds of film emulation LUTs in the market today? Which one’s the best?

Categories
Review of Camera Accessories

Atomos Shogun Review

My complete review of the Atomos Shogun for the Sony A7s, as of v6.2, shooting, 3D LUTs, DNxHD and more.

Categories
Data Wrangling

Review of Sony Catalyst Browse for the Sony A7s

A quick review of the features of Sony Catalyst Browse for creating dailies, transcodes and LUTs for the Sony A7s.

Categories
Sony A7s Guide

How to Expose and Grade S-Log2 for the Sony A7s

The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s

Categories
Davinci Resolve

How to Use the DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr with DaVinci Resolve to Match Color

The simplest way to use a DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr to match colors in DaVinci Resolve

Categories
Sony A7s Guide

The Sony A7s 4K Guide (Part Eight): Post Production and Grading

A detailed guide to the Sony A7s – from lenses and accessories to post production. Part eight covers editing and grading in post production.

Categories
Camera System

The Complete Guide to Choosing and Using Video Production Monitors (Part One)

Everything you wanted to know about video production monitors in one place.