The easiest way to create the film look without knowing how to grade or spending money on LUTs or plugins.
The simplest way to grade N-log from the Nikon Z6 and Nikon Z7.
Learn how to create LUTs in DaVinci Resolve in the simplest way.
How do you make sense of all the hundreds of film emulation LUTs in the market today? Which one’s the best?
My complete review of the Atomos Shogun for the Sony A7s, as of v6.2, shooting, 3D LUTs, DNxHD and more.
A quick review of the features of Sony Catalyst Browse for creating dailies, transcodes and LUTs for the Sony A7s.
The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s
The simplest way to use a DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr to match colors in DaVinci Resolve
A detailed guide to the Sony A7s – from lenses and accessories to post production. Part eight covers editing and grading in post production.
Everything you wanted to know about video production monitors in one place.