LUT – wolfcrow

Tag: LUT

Basics of Color Grading Common Access WMP

How to get the Film Look Easily without using LUTs or Plugins

Post author By Sareesh Sudhakaran
Post date November 11, 2019
21 Comments on How to get the Film Look Easily without using LUTs or Plugins

The easiest way to create the film look without knowing how to grade or spending money on LUTs or plugins.

Tags adobe premiere pro, Cinematic, crow chart, film look, Lumetri, LUT

Nikon Z6 Guide Nikon Z6 Info

How to Grade N-Log for the Nikon Z6

Post author By Sareesh Sudhakaran
Post date August 27, 2019
3 Comments on How to Grade N-Log for the Nikon Z6

The simplest way to grade N-log from the Nikon Z6 and Nikon Z7.

Tags color grade, LUT, N-log, nikon z6, Nikon Z7

Davinci Resolve

How to Create LUTs in DaVinci Resolve

Post author By Sareesh Sudhakaran
Post date August 21, 2019

Learn how to create LUTs in DaVinci Resolve in the simplest way.

Tags 10-bit, 1d, 3D, 8-bit, black, clip, data, data to video, davinci resolve, footage, Full Swing, generate, invert color, level, Lower Clipping, LUT, LUTs, monitor, scopes, shoulder, soft clip LUT, softness, Studio Swing, toe, Upper Clipping, video level, white

WMP_ARTICLES_MISC

Comparison of Film Emulation LUTs – Filmconvert vs Magic Bullet Film vs Juan Malera’s Free LUTs

Post author By Sareesh Sudhakaran
Post date June 11, 2015
3 Comments on Comparison of Film Emulation LUTs – Filmconvert vs Magic Bullet Film vs Juan Malera’s Free LUTs

How do you make sense of all the hundreds of film emulation LUTs in the market today? Which one’s the best?

Tags Emulation, film, filmconvert, fuji, Juan Malera, kodak, LUT, LUT Workflows, Magic Bullet Film, stock

Review of Camera Accessories

Atomos Shogun Review

My complete review of the Atomos Shogun for the Sony A7s, as of v6.2, shooting, 3D LUTs, DNxHD and more.

Tags 3d lut, 3d LUTs, atomos shogun, audio, Color Finesse, Data levels, dnxhd, DNxHR, Full Swing, goa susegad, ire, levels, LUT, monitor, nikon, premiere pro, prores, prores hq, recorder, resolve, review, sony, Sony A7s, speedgrade, spyder, xavc, XAVC-S

Data Wrangling

Review of Sony Catalyst Browse for the Sony A7s

Post author By Sareesh Sudhakaran
Post date November 27, 2014
3 Comments on Review of Sony Catalyst Browse for the Sony A7s

A quick review of the features of Sony Catalyst Browse for creating dailies, transcodes and LUTs for the Sony A7s.

Tags Catalyst Browse, dailies, LUT, Son, Sony A7s, transcoding

Sony A7s Guide

How to Expose and Grade S-Log2 for the Sony A7s

Post author By Sareesh Sudhakaran
Post date October 29, 2014
22 Comments on How to Expose and Grade S-Log2 for the Sony A7s

The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s

Tags 3 stops over, 32-bit, 70 ire, 8-bit, best skin tones, blow, clip, clipping, color grading, color noise, color space, contrast, curves, dynamic range, ETTR, Exposing, exposing to the right, exposure, Full Swing, gain, gamma, grading, Highlights, kodak, lamp, latitude, levels, lift, light meter, lighting, lighting ratio, LUT, mid tones, middle grey, monitoring, noise, rec 709, S-gamut, s-log2, shadow, skin tones, Sony A7s, Studio Swing, sun, white paper, window, wolfcrow system, zebra, Zone V

Davinci Resolve

How to Use the DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr with DaVinci Resolve to Match Color

Post author By Sareesh Sudhakaran
Post date September 1, 2014
5 Comments on How to Use the DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr with DaVinci Resolve to Match Color

The simplest way to use a DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr to match colors in DaVinci Resolve

Tags Art Adams, chart, chip, color, color match palette, color space, color temperature, d65, DataColor SpyderCheckr, davinci resolve, dci-p3, dsc labs, gamma, grade, grading, ire, kelvin, lighting, LUT, macbeth, match, matte, OneShot, palette, pantone, pocket, point, rec 709, srgb, Studio Swing, temperature, white, white balance, X-rite ColorChecker

Sony A7s Guide

The Sony A7s 4K Guide (Part Eight): Post Production and Grading

Post author By Sareesh Sudhakaran
Post date July 12, 2014
35 Comments on The Sony A7s 4K Guide (Part Eight): Post Production and Grading

A detailed guide to the Sony A7s – from lenses and accessories to post production. Part eight covers editing and grading in post production.

Tags 1080p, 4K, after effects, alexa, avchd, cube, grading, Highlights, look, looks, LUT, moire, mp4, noise, plugin, premiere pro, prores, prores hq, resolve, s-log2, shadow, sony, Sony A7s, speedgrade, xavc

Camera System

The Complete Guide to Choosing and Using Video Production Monitors (Part One)

Post author By Sareesh Sudhakaran
Post date February 17, 2014

Everything you wanted to know about video production monitors in one place.

Tags 1080p, 3g-sdi, 4K, 6g-sdi, battery, bit, brightness, calibration, chroma, color space, contrast, control, display, exposure, external monitor, focus peaking, frame guide, gamma, gamut, HDMI, histogram, i1displayone pro, inch, line, luminance, LUT, monitor, nits, portability, probe, production, profile, RAW, rec 709, scope, scopes, SDI, signal, size, smpte, sony, srgb, ultra hd, vectorscope, video, Video Production Monitor, waveform, x-rite, zebra