Sony a7R II 4K Preliminary Guide (Part Five): External Recording and Data Wrangling

A detailed guide to the Sony a7R II – from lenses and accessories to post production. Part Five covers external monitoring and recording.

Best Cinematic 4K Documentary Camera under $10,000? A Fun Comparison between the Blackmagic Design URSA Mini 4.6K, Sony FS7, JVC GY-LS300, Panasonic DVX200, Aja CION and Sony PXW-Z100 (Part One)

Which is the best 4K documentary camera? Here’s a fun comparison between the Blackmagic Design URSA Mini 4.6K, Sony FS7, JVC GY-LS300, Panasonic DVX200, Aja CION and Sony PXW-Z100

Atomos Shogun Review

My complete review of the Atomos Shogun for the Sony A7s, as of v6.2, shooting, 3D LUTs, DNxHD and more.

A Fun Comparison between the Blackmagic Design URSA, Sony FS7, Canon C100 Mark II and the JVC GY-LS300

Here’s a fun comparison of the specifications between the Blackmagic Design URSA, Sony FS7, Canon C100 Mark II and the JVC GY-LS300

The Workflows and Advantages of Working with Image Sequences in Video Post Production

A simple primer into the workflows and advantages of using image sequences in post production.

How much Resolution do you Lose with Compression, and does 4K help make 1080p Look Better?

A couple of tests to determine the exact percentage loss of resolution while compressing video, and how 4K can help.

The Sony A7s 4K Guide (Part Eight): Post Production and Grading

A detailed guide to the Sony A7s – from lenses and accessories to post production. Part eight covers editing and grading in post production.

A Fun Comparison between the Sony A7s, the Panasonic GH4 and the Canon 1DC 4K ‘DSLR’ Cameras

Here’s a fun comparison of the specifications of the Sony A7s, the Panasonic GH4 and the Canon 1DC 4K DSLR cameras.

The Video Journalist Blackmagic Camera Rig and Workflow Guide (Part Three): Getting the Right Look in Post Production

A guide to rigging and working with the Blackmagic Cameras as a single person crew or video journalist.