Here’s a simple explanation of why 65mm cinema looks so life-like and three dimensional.
My Thoughts on the New Cameras and Gear Announced at NAB 2015
A detailed review of the OConnor Universal Baseplate that fits all DSLRs, Canon EOS cameras and the Red Epic and Scarlet.
What makes a broadcast camera? Part Two lists the general testing methodology, and shows you how to check if your camera is broadcast-worthy.
Is the Arri Alexa XT the best video camera in the world? If so, why?
Which video camera really delivers the film look? Part Three looks at today’s cameras to see which ones really deliver the film look consistently, and why.
A side-by-side price comparison of the Red Epic, Canon C500 and Sony PMW F55.