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MEM Color Grading

How to Create LUTs in DaVinci Resolve

Learn how to create LUTs in DaVinci Resolve in the simplest way.

Categories
MEM Advanced Cinematography Tips

How to Match Shots from Two or More Cameras for Color and Exposure

Shooting multi-cam but with different cameras? This article will show you how to make sure your shots match.

Categories
MEM Color Grading

How to Use the DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr with DaVinci Resolve to Match Color

The simplest way to use a DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr to match colors in DaVinci Resolve

Categories
MEM Cinematography Jargon Explained

What is the Difference between Exposure Latitude and Dynamic Range?

The simplest explanation of the difference between exposure latitude of a camera and its dynamic range.

Categories
MEM Advanced Cinematography Tips

The Complete Guide to Follow Focus Systems

Everything you wanted to know about follow focus systems, in one place.

Categories
MEM Driving Miss Digital

Notes by Dr. Optoglass: Color Bit Depth, Middle Grey and White Balance of the Human Eye

Topics Covered: Color Bit Depth Middle Grey Whiteness and White Balance Colors, like features, follow the changes of the emotions – Pablo Picasso We have already seen that the color space of the eye, as defined by the CIE 1931 XYZ color space, estimates about 10 million colors for our vision. The word size required […]