How can low budget filmmakers light a scene with just one light? You can, with this technique!
The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s
Topics Covered: Interaxial Distance Hyper Stereo vs Macro Stereo Keystone Effect and Keystoning Stereoscopic Window In order for stereoscopic cinematography to be a creative medium it’s got to be intuitive. If it’s not in the gut, it’s not going to succeed as an art form. If you have to rely solely on tables and calculations, […]