How I chose my lenses


I made this video for the Sony a7S, on how I originally chose my Nikon primes: Download Video Note: I say ‘multiply’ when talking about the bokeh factor, but I really meant ‘add’. Bokeh Factor = Aperture + Crop factor  E.g., here are how my lenses stack up (All of this is approximate, but it’s ... Read more

I made this video for the Sony a7S, on how I originally chose my Nikon primes:

Download Video

Note: I say ‘multiply’ when talking about the bokeh factor, but I really meant ‘add’.

Bokeh Factor = Aperture + Crop factor 

E.g., here are how my lenses stack up (All of this is approximate, but it’s great as a general rule of thumb):

  • 14mm T3.1 becomes a 21mm T4.6 in APS-C mode
  • 28mm f/2.8 becomes a 42mm f/4.3 in APS-C mode
  • 50mm f/1.2 becomes a 75mm f/2.7 in APS-C mode
  • 135mm f/2 becomes a 200mm f/3.5 in APS-C mode

If using ClearImage Zoom, then this is what the same lenses become at 2x:

  • 14mm T3.1 becomes a 28mm T5.1 in APS-C mode
  • 28mm f/2.8 becomes a 56mm f/4.8 in APS-C mode
  • 50mm f/1.2 becomes a 100mm f/2.4 in APS-C mode
  • 135mm f/2 becomes a 270mm f/4 in APS-C mode

You get the same light levels, so there is no change in exposure – only the bokeh. So, in effect, I have the full range from 14-270mm with just four lenses. Right now I’m thinking of adding a 200 or 300mm lens but that will have to wait.

Author Bio
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Sareesh Sudhakaran is a film director and award-winning cinematographer with over 24 years of experience. His second film, "Gin Ke Dus", was released in theaters in India in March 2024. As an educator, Sareesh walks the talk. His online courses help aspiring filmmakers realize their filmmaking dreams. Sareesh is also available for hire on your film!