What ISOs to Use and When with the Pocket 6K


The Blackmagic Pocket Cinema Camera 6K is marketed as a dual native ISO camera. However, if you’re thinking of dual native as how Panasonic defined it with the Varicam, then this is something different. Typically dual native ISO means you get similar image quality (color, noise and dynamic range) at two ISOs. One is low ... Read more

The Blackmagic Pocket Cinema Camera 6K is marketed as a dual native ISO camera. However, if you’re thinking of dual native as how Panasonic defined it with the Varicam, then this is something different.

Typically dual native ISO means you get similar image quality (color, noise and dynamic range) at two ISOs. One is low for studio/daylight scenes, and the other is high for night/lowlight. In the case of the Varicam, the two native ISOs are 800 and 5000.

With the Pocket Cinema Camera 6K, the two native ISOs are defined as 400 and 3200. Yet, in my tests, the images from the two ISOs don’t really match. If you’re looking for some kind of a match, then ISOs 400 and 1250 are closer. For better reference, here is the published chart from BMD:

What you can see:

  • Highest DR is between ISO 100 and 1000 – 13 stops.
  • Next best is between ISO 1250 and 8000 – 12.3 stops.
  • Beyond that the DR falls rapidly.

Which are the best ISOs to use?

  • For daylight and studio settings, between ISOs 100 to 400 is fine.
  • For low light, between ISOs 1250 to 3200 is fine.
  • ISO 6400 to 8000 is fine if you’re shooting 6K for a 4K finish, because noise reduction will also smoothen out details, and the differences will not be obvious. ISO 8000 is a “last-resort” ISO.
  • ISOs 12800 to 25600 are to be avoided. No exceptions.

Bottom line: Stay below ISO 1250 whenever possible, and for low light stay below ISO 3200 whenever possible.

ISO Tests

The following are JPEGs of the low light candle light test I performed at different ISOs (for full resolution stills click here to download):

ISO 400
ISO 800
ISO 1250
ISO 1600
ISO 3200
ISO 6400
ISO 12800
ISO 25600

Please note, some images are darker than the others. The shutter speed and ISO cannot be changed in 1/3rd stop increments, as other cameras. So there might be a 1/3-stop variance. I erred on the side of caution, by underexposing high ISO images, but the noise profiles will be similar.

Author Bio
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Sareesh Sudhakaran is a film director and award-winning cinematographer with over 24 years of experience. His second film, "Gin Ke Dus", was released in theaters in India in March 2024. As an educator, Sareesh walks the talk. His online courses help aspiring filmmakers realize their filmmaking dreams. Sareesh is also available for hire on your film!

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