How to work with XAVC S S-Log2 Footage in Final Cut Pro X


In this lesson we’ll take a detailed look at working with XAVC S S-Log2 material in FCP-X. I’ll be covering: Importing Using the built-in S-Log2 LUT Grading Shot matching Exporting If you’re absolutely new to FCP-X, then please start by watching my primer on importing, exporting and data management: Here’s the workflow for XAVC S ... Read more

In this lesson we’ll take a detailed look at working with XAVC S S-Log2 material in FCP-X. I’ll be covering:

  • Importing
  • Using the built-in S-Log2 LUT
  • Grading
  • Shot matching
  • Exporting

If you’re absolutely new to FCP-X, then please start by watching my primer on importing, exporting and data management:

Here’s the workflow for XAVC S S-Log2 in Final Cut Pro X:

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And here’s the completed one-minute sequence (Shot on the a7S. I shot more than an hour of material, and this is just a five shot sample):

Notes and Takeaways:

  • The built-in S-Log2 feature only works if you have exposed to middle gray. Using the wolfcrow system, it will not work.
  • The shot matching will not work with the wolfcrow system. You must grade manually.
  • Obviously I made a mistake in scaling the finished sequence in Vimeo. The original aspect ratio is 2:1.
Author Bio
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Sareesh Sudhakaran is a film director and award-winning cinematographer with over 24 years of experience. His second film, "Gin Ke Dus", was released in theaters in India in March 2024. As an educator, Sareesh walks the talk. His online courses help aspiring filmmakers realize their filmmaking dreams. Sareesh is also available for hire on your film!