In this lesson we’ll focus on just one picture profile – Cine4 – against four color spaces:
- Cinema (the one Sony wants you to use with it)
- Matrix 709 (Rec. 709)
- Pro (Rec. 709)
- S-Gamut (for S-Log2, but let’s see for ourselves!)
Cinema Color Space
Here’s what Cine4 looks like, in the Cinema color space (In this order: -4, -2, 0, +2, +4, click to enlarge):
What do you think?
Matrix Color Space
Here’s what Cine4 looks like, in the Matrix color space (In this order: -4, -2, 0, +2, +4, click to enlarge):
What do you think?
Pro Color Space
Here’s what Cine4 looks like, in the Pro color space (In this order: -4, -2, 0, +2, +4, click to enlarge):
What do you think?
S-Gamut Color Space
Here’s what Cine4 looks like, in the S-Gamut color space (In this order: -4, -2, 0, +2, +4, click to enlarge):
Who wins? Look for these things:
- Which has better texture in the underexposed regions?
- Which looks better when clipped either way? Is there a good roll-off at either end?
- Which as more dynamic range?
- Which has better skin patches?
- Which has a better look overall?
Try to at least answer the above before reading the next. Otherwise I’ll be putting words in your head. Here’s a tip: Study each exposure point against the others. E.g., study all -2s together, then 0s together, and so on.
What I think
Cine4 has the best highlight dynamic range, though it turns yellow. In this test Cinema color space does much better than S-Gamut. All this shouldn’t be very surprising, because the way it is designed, all Cine profiles are intended to be used with the Cinema color space. Cine 4 also has lesser shadow dynamic range than Cine2.
Here’s the official wording from Sony:
Strengthens the contrast in dark parts more than [Cine3]. The contrast in dark parts is lower and the contrast in bright parts is higher than for [Movie].
Click on the link below to the next lesson or head over to the main menu (above). If you need help with something, feel free to send me an email. I’ll try to get back to you as soon as possible.