What You Need to Know to Match Shots from Two or More Cameras for Color and Exposure
Shooting multi-cam but with different cameras? This article will show you how to make sure your shots match.
Sareesh Sudhakaran
What is Shallow Depth of Field and Deep Depth of Field?
In this quick video I explain what depth of field means, and also what shallow depth of field and deep depth of field (or deep focus) means.
Why you should NEVER use a Histogram for Video or Cinematography
There’s simply no good reason to use the histogram tool for video work or cinematography. Let’s find out why it’s just not the right tool.
Why Interstellar Still Looks Like a Billion Bucks
Discover why Interstellar remains a cinematic masterpiece, blending jaw-dropping visuals, raw emotion, and groundbreaking science.
10 Reasons why we need External Monitors
If cameras have all the features, why do we still need external monitors? Let’s look at some good reasons.
How to avoid blue clipping in low light shooting
Ever seen the dreaded blue clipping problem that occurs specifically with LED lights in low light shooting conditions? Let’s see how to fix that on set.
What You Need to Know About the Limitations of White Balance
Did you know that white balancing in cinematography does not guarantee accurate color? Let’s understand white balance a bit better in this video.
What does a Film Producer Really do? Are They Better than the Director?
Without film producers, there’s no film. Period. Their job begins before a single frame is shot and it never ends. Get ready to be amazed by what they do.
Why are F-Stops used for Photography while T-Stops are used for Cinematography?
T-Stops vs F-Stops. Why is one used for photography while the other for cinema?