This is the ultimate list of cinema lenses you’ll ever encounter in filmmaking.
Author: Sareesh Sudhakaran
Love the film look? Here’s how you might get it in color grading in Davinci Resolve without any third party tools.
Famous directors and the focal lengths they preferred.
It turns out the rear view mirror and the colors used in Taxi Driver reveal the actual intention of Martin Scorsese.
Why is the final scene in Seven, one of the most horrific scenes ever put up on screen, shot on a sunny evening at golden hour?
What did Ridley Scott have to do to make Blade Runner so different that it looks like a billion bucks even today?
What I found to be the best color, gamma and codec settings for Vimeo and YouTube.
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On the Trail of Vincent van Gogh
My trip on the footsteps of Vincent van Gogh. Enjoy!
Suggestions to filmmakers on how to sell your film while you’re there.