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Sareesh Sudhakaran

Sareesh Sudhakaran is a film director and award-winning cinematographer with over 24 years of experience. His second film, "Gin Ke Dus", was released in theaters in India in March 2024. As an educator, Sareesh walks the talk. His online courses help aspiring filmmakers realize their filmmaking dreams. Sareesh is also available for hire on your film!

Important Quirks and Features of the Canon EOS R6 for Filmmakers

July 17, 2020July 13, 2020 by Sareesh Sudhakaran

Here’s an important look at the video and cinematography features of the Canon EOS R6.

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Important Quirks and Features of the Canon EOS R5 for Filmmakers

August 21, 2020July 9, 2020 by Sareesh Sudhakaran

Here’s an important look at the video and cinematography features of the Canon EOS R5.

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Why Cinematographers Pick this Lighting Style the Most

March 25, 2025July 6, 2020 by Sareesh Sudhakaran

Do most cinematographers fall back to a certain style of lighting? Let’s find out.

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The Low Budget Filmmaker’s Production Kit

March 21, 2026July 2, 2020 by Sareesh Sudhakaran

Nine real world templates and checklists refined over 18 years of filmmaking.

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Which is better: To Rent a Camera, or Buy one?

January 24, 2023June 19, 2020 by Sareesh Sudhakaran
Canon C100

Ever had to decide whether to buy a camera or rent one instead? This article shows you the easy way to calculate your gear’s worth.

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Why every film director owes John Ford

June 15, 2020June 15, 2020 by Sareesh Sudhakaran

John Ford directly influenced Steven Spielberg, Akira Kurosawa, Sergio Leone, David Fincher, Quentin Tarantino and a thousand others. Here’s how.

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Understanding Wireless Video Production

December 25, 2024June 6, 2020 by Sareesh Sudhakaran
Swimming Pool

What does it take to make a production set completely ready for wireless video? This article shows you how to get started.

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Sidney Lumet. A tribute.

January 7, 2025May 27, 2020 by Sareesh Sudhakaran

This post is my tribute to a great individual, director, teacher and mentor.

Why are Films Shot in Two Colors?

May 25, 2020 by Sareesh Sudhakaran

Why do movies adopt a dual tone strategy? Why do they use two colors, and not three or four… or one? Let’s find out.

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