How to Grade V-Log: Masterclass by India’s Best Colorist


Shiva Kumar BVR of Annapurna Studios show us how to fix problems with V-Log in post.

Here’s a masterclass from India’s best colorist on how to grade V-Log from the Panasonic GH5:

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Here’s the final video: 

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Sareesh Sudhakaran is a film director and award-winning cinematographer with over 24 years of experience. His second film, "Gin Ke Dus", was released in theaters in India in March 2024. As an educator, Sareesh walks the talk. His online courses help aspiring filmmakers realize their filmmaking dreams. Sareesh is also available for hire on your film!
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2 thoughts on “How to Grade V-Log: Masterclass by India’s Best Colorist”

  2. V-Log is only worthwhile if you are working in 10 bit. You mentioned you used a Atomos Shogun to monitor, why didn’t you record with it? All the banding and compression problems go away, plus you can push the image quite a bit in post…

    If I’m stuck shooting 8-bit I use Cine-D set with Paul Leeming’s LUT One settings and LUT. But 90% of the time, I use the Shogun.

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