How to Choose Lenses for Long and Complex Films
A cinematographer often faces complicated choices yet must deliver consistent results every time. Here’s my approach to selecting the right lens for your films.
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Why The Thing Still Looks Like a Billion Bucks
Discover how The Thing achieved its legendary horror through masterful cinematography, lighting, and practical effects in this in-depth breakdown.
How to get the Film Look Easily without using LUTs or Plugins
The easiest way to create the film look without knowing how to grade or spending money on LUTs or plugins.
The Workflows and Advantages of Working with Image Sequences in Post Production
A simple primer into the workflows and advantages of using image sequences in post production.
Everything You Need to Know About the Costs of Working with 4K and 8K Footage
It’s easy to get swayed by the allure of 4K and 8K video, but don’t leave out storage in your calculations!
How to Choose a 4K Monitor for Color Grading in DaVinci Resolve
How to Choose a Monitor for Color Grading in DaVinci Resolve. My experiences with many shorts and one theatrical feature film.
Should you raise Bit Depth and Color Space before Color Grading?
Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space.
Previsualization (Previz) Software & Techniques: The Ultimate Guide for Filmmakers
Discover the best previsualization (previz) software and techniques to plan your shots, streamline production, and bring your vision to life.
Why The Karate Kid Can’t Be Recreated by Hollywood
The Karate Kid had heart, grit, and soul. Hollywood keeps trying to remake it, but some movies are lightning in a bottle—you can’t catch it twice.