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What You Should Know about 6G-SDI, 12G-SDI and 24G-SDI

August 22, 2024 by Sareesh Sudhakaran

If you’re using an external monitor or recorder you’ll have seen an SDI port. They all look the same, but there are some nuances. Let’s take a look!

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You Need to See the Genius of “Sanchez’s Apartment” Scene in Touch of Evil

August 21, 2024 by Sareesh Sudhakaran

A comprehensive analysis of the camera angles, movement and blocking in “Sanchez’s apartment scene” from Touch of Evil – Orson Welles’ second great masterpiece.

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Orson Welles | The 7 Secrets of Cinematic Composition

August 21, 2024 by Sareesh Sudhakaran

Seven of the most powerful compositional techniques Orson Welles used in his films.

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Ultra HD Blu-ray vs. Streaming: The Ultimate Showdown for Best Picture and Sound

August 20, 2024 by Sareesh Sudhakaran

Is Ultra HD Blu-ray the gold standard for home viewing and movie collectors? Let’s see how it stacks up against streaming, cinema, and YouTube.

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Why Alien Outshines Every Other Film in the Franchise

August 19, 2024 by Sareesh Sudhakaran

From the choice of anamorphic lenses to the innovative lighting, let’s explore the technical decisions made by Ridley Scott that make this film the best.

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Intra-frame vs Inter-frame Compression: The Difference

August 15, 2024 by Sareesh Sudhakaran
Intraframe Codec

What is interframe and intraframe compression, what’s the easiest way to remember the difference, and which one needs more processing power?

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7 Places to Find a Great Story for your Film

August 13, 2024 by Sareesh Sudhakaran

Every writer gets stuck at some point! Here are seven solid places you’re guaranteed to find inspiration for when you need it.

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A Beginner’s Quick Guide to Grip and Lighting Gear

August 13, 2024 by Sareesh Sudhakaran

This beginner’s guide to lighting fixtures and grip equipment will bring you up to speed on what’s most important on a film set.

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Why Lawrence of Arabia Still Looks Like a Billion Bucks

August 12, 2024 by Sareesh Sudhakaran

Lawrence of Arabia remains a benchmark for filmmakers and a staple in film studies worldwide. What is it about this film that makes it so visually compelling?

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