Lossy and Lossless Compression: The Difference
A simple explanation of the difference between Lossy and Lossless compression, which one’s better, and how to pick the right one for your film.
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Which is the Best Archive File Format for Films and Video?
If you want to store your valuable films and videos for posterity, which file format should you choose, and why? Here’s my pick.
This is the Ultimate Guide to be Sure if Your Lights will Work on Generators or Household Power
The simplest way to understand and figure out how many lights you can plug in to a household wall socket or portable generator.
Why Every Film Looks Better in Black and White
Color is important. But seriously, every film looks great, if not better, in black and white. Let’s explore the real reason why black and white works.
Making a Low Budget Film? Here are 10 Important Lighting and Grip Gear You Should Know About
This guide reveals ten budget-friendly film lighting tools that deliver impressive lighting results on a shoestring budget.
The Best Lenses for the Canon EOS R5 Mark II for Video and Cinematography
Looking for great lenses for the Canon EOS R5 Mark II for filmmaking and cinematography? Here’s my definitive list of lenses.
Spielberg uses the Best Lenses. But Never Wide Open. Why?
Steven Spielberg typically uses lenses with an aperture of T1.3. Then why doesn’t He ever shoot with a wide open aperture? Let’s find out.
Everything you need to know about Light Stands for Filmmaking
Why do light stands for films look so weird. And, why are there so many kinds of them? Discover the reasons behind light stands in this beginner’s guide.
Did Canon make a mistake with the R5 Mark II? My thoughts on it vs the Canon EOS R5 and R5C
Evaluating the Canon R5 Mark II: Comprehensive Thoughts, In-Depth Analysis, and Detailed Comparison with the Canon EOS R5