Understanding the Cinematography of Rodrigo Prieto


I go through some of Rodrigo Prieto's cinematography lighting and camera techniques to help you understand his unique style.

Rodrigo Prieto is one of the most in-demand and leading cinematographers working today. In this video I go through some of his cinematography lighting and camera techniques to help you understand his unique style.

Just to be clear: Rodrigo Prieto changes his style to suit the movies he shoots. The goal of this video and article is to drum up enthusiasm and a yearning to learn more.

Warning: I do not claim this knowledge is 100% accurate. Just think of it as an endorsement of his work. If you want accuracy, look someplace else.

How he lights faces

He typically favors the three-quarter lighting style, and often has a kicker or hair light at an opposite angle.

He excels at lighting in tight spaces, with low budgets.

Some terms mentioned in the video

  • Diffusion filters – Tiffen Black Pro Mist (1/8, 1/4, etc.) and Tiffen Smoque
  • IR Stock for Alexander – he shot on infrared stock so lights react differently. This is what gives greens the reddish hue. He also used basic ND filters so he could take advantage of IR pollution.
  • The cameras he prefers for handheld are the Moviecam JL (earlier) and the Arricam Lite.

I hope you’ve found this video useful. If I’ve stoked your interest in Rodrigo Prieto’s work, please watch the movies he shot and check out his Instagram feed.

Author Bio
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Sareesh Sudhakaran is a film director and award-winning cinematographer with over 24 years of experience. His second film, "Gin Ke Dus", was released in theaters in India in March 2024. As an educator, Sareesh walks the talk. His online courses help aspiring filmmakers realize their filmmaking dreams. Sareesh is also available for hire on your film!

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