How the Nakatomi Plaza Decides Who Wins in Die Hard
In Die Hard, the real fight isn’t man versus man – it’s man versus building. The Nakatomi Plaza decides who walks out alive.
Sareesh Sudhakaran
Nikon ZR Real-World Review: Is It Really Good Enough?
A comprehensive real world review of the Nikon ZR for filmmaking. Discover its essential strengths, weaknesses, and my unbiased final verdict.
A Look at the Best 5 Budget Gimbals
Tight budget, big story? These five budget gimbals keep mirrorless rigs steady for shorts and indie features, no fluff.
How to Schedule a Film: 20 Ways to Cut Time without Losing the Performance
Plan days that feel lighter, with coverage that saves hours, keeps your crew fresh, and still nails the important moments.
The First 10 Things you Need to Buy for Filmmaking
What could be so important you need to buy right now? This is my advice for filmmakers looking to make short films or feature films.
The Essential Guide to Rolling Shutter: What You Need to Know
Rolling shutter bends lines, wobbles shots, and breaks flashes. Learn how to test it, rate cameras, and know if it matters for your next project.
Why 2001: A Space Odyssey Shows What Cinema Can Be
Kubrick’s 2001: A Space Odyssey turned silence, design, and vision into pure cinema, possibly revealing our possible future.
Fuji GFX ETERNA 55: 3 Powerful Questions to Know if it’s the Right Camera for You
Medium format 4:3, internal ND, PL mount, and Fuji color. Here are 3 blunt questions to decide if the Fuji GFX ETERNA 55 fits your work and budget.
The Best Camera for Cinema: Canon C50 vs Nikon ZR vs Sony FX3A vs PYXIS 6K vs Red Komodo
Five great low budget cinema cameras designed specifically for filmmaking. Only one will stand tall… but which?