Shooting multi-cam but with different cameras? This article will show you how to make sure your shots match.
The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s
The simplest way to use a DSC Labs OneShot, X-rite ColorChecker or DataColor SpyderCheckr to match colors in DaVinci Resolve
The simplest explanation of what studio swing and full swing is, and how they are different.
Everything you wanted to know about video production monitors in one place.
Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space. Part Two deals with RAW video.
Want to avoid poor quality web videos? You need to know if it’s worth working in a higher bit depth or color space. Part One deals with 8-bit video.
The simplest explanation of what a LUT (Look-up table) is, and how it should be used for color correction or grading.
A simple overview of what Rec. 2020 is, why it was adopted and how it will change the future of television.
An explanation and overview of color spaces, chromacity, CIE XYZ and tristimulus values.